{"id":160,"date":"2025-11-19T13:38:58","date_gmt":"2025-11-19T13:38:58","guid":{"rendered":"https:\/\/tanjakachler.de\/?page_id=160"},"modified":"2026-01-23T13:34:22","modified_gmt":"2026-01-23T13:34:22","slug":"podcast-portfolio-auswahl","status":"publish","type":"page","link":"https:\/\/tanjakachler.de\/?page_id=160","title":{"rendered":"Portfolio (Auswahl)"},"content":{"rendered":"\n
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Im Tal der verlorenen Spuren<\/strong><\/figcaption><\/figure>\n\n\n\n
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Terrornacht im Bataclan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Stilles Grab: Das Geheimnis der Blue Ridge Mountains<\/strong><\/figcaption><\/figure>\n\n\n\n
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Besuch bei Dad<\/strong><\/figcaption><\/figure>\n\n\n\n
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Schl\u00e4ge f\u00fcr sie, Applaus f\u00fcr ihn<\/strong><\/figcaption><\/figure>\n\n\n\n
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Aus n\u00e4chster N\u00e4he<\/strong><\/figcaption><\/figure>\n\n\n\n
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Acapulco \u2013 Glanz, Glamour und Gefahr<\/strong><\/figcaption><\/figure>\n\n\n\n
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Vertuschung in Kenia: Der Mordfall Julie Ward<\/strong><\/figcaption><\/figure>\n\n\n\n
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Schmetterlingssterben auf dem Highway<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die gr\u00fcne H\u00f6lle<\/strong><\/figcaption><\/figure>\n\n\n\n
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Feiern, fl\u00fcchten, fallen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verlorenes Paradies<\/strong><\/figcaption><\/figure>\n\n\n\n
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Koks und Kreuzfahrten<\/strong><\/figcaption><\/figure>\n\n\n\n
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Was die Webcam nicht zeigen wollte …<\/strong><\/figcaption><\/figure>\n\n\n\n
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Dubais „H\u00f6llenloch“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die Wahrheit wartet im Eis<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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D\u00fcstere Prophezeiung<\/strong><\/figcaption><\/figure>\n\n\n\n
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Schatten in der Schulherberge<\/strong><\/figcaption><\/figure>\n\n\n\n
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Terror und Tr\u00e4nen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Blutmond \u00fcber Koh Phangan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Herz aus Gold<\/strong><\/figcaption><\/figure>\n\n\n\n
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Das Spiel mit dem Gl\u00fcck<\/strong><\/figcaption><\/figure>\n\n\n\n
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Tempeltod und Teufelsdroge<\/strong><\/figcaption><\/figure>\n\n\n\n
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Meran \u2013 Kurstadt in Angst<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der Sch\u00f6ne, das B\u00f6se und der Blutkessel<\/strong><\/figcaption><\/figure>\n\n\n\n
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Wettlauf gegen den Tod<\/strong><\/figcaption><\/figure>\n\n\n\n
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Das M\u00e4dchen und das Meer<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verr\u00fccktes Japan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Im Schatten der karibischen Sonne<\/strong><\/figcaption><\/figure>\n\n\n\n
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Abgetaucht auf Aruba<\/strong><\/figcaption><\/figure>\n\n\n\n
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Tr\u00fcgerische Alaska-Idylle<\/strong><\/figcaption><\/figure>\n\n\n\n
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Auf dem Inka-Pfad ins Ungl\u00fcck<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Im Angesicht des Terrors<\/strong><\/figcaption><\/figure>\n\n\n\n
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Am Strand wartet der Tod<\/strong><\/figcaption><\/figure>\n\n\n\n
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Partners in Crime<\/strong><\/figcaption><\/figure>\n\n\n\n
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Graces letztes „Match“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Unter der Schneedecke schl\u00e4ft der Tod<\/strong><\/figcaption><\/figure>\n\n\n\n
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Blaues Blut in Cannes<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Der Mann in Flammen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Salt Creek<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verliebt, verlobt, tot<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Gemeinsam vom Leben verschlungen<\/strong><\/figcaption><\/figure>\n\n\n\n
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„Work and Travel“ \u2013 t\u00f6dliches Australienabenteuer<\/strong><\/figcaption><\/figure>\n\n\n\n
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Das Meer, der Segeltraum und die Piraten<\/strong><\/figcaption><\/figure>\n\n\n\n
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Unges\u00fchnt \u2013 Foltermord auf Bermuda<\/strong><\/figcaption><\/figure>\n\n\n\n
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Vorhang auf: T\u00f6dliches Theater am Valentinstag<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der letzte Lauf<\/strong><\/figcaption><\/figure>\n\n\n\n
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50 Shades Defense<\/strong><\/figcaption><\/figure>\n\n\n\n
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Gute Nacht, Flug MH370<\/strong><\/figcaption><\/figure>\n\n\n\n
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Mountain Men<\/strong><\/figcaption><\/figure>\n\n\n\n
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Sch\u00fcsse in den Alpen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Hinter den D\u00fcnen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der Priestersohn von Kreta<\/strong><\/figcaption><\/figure>\n\n\n\n
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Sommernachtsalbtraum<\/strong><\/figcaption><\/figure>\n\n\n\n
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Wahn zu zweit<\/strong><\/figcaption><\/figure>\n\n\n\n
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\u00dcber den Wolken<\/strong><\/figcaption><\/figure>\n\n\n\n
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Bad Romance<\/strong><\/figcaption><\/figure>\n\n\n\n
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Aleshas strahlendes L\u00e4cheln<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verh\u00e4ngnisvolle Klassenfahrt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die Geheimnisse des Cecil Hotels<\/strong><\/figcaption><\/figure>\n\n\n\n
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Lebendig begraben<\/strong><\/figcaption><\/figure>\n\n\n\n
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Fremde Scheinwerfer<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die Hoffnung stirbt zuletzt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Be like Bakari<\/strong><\/figcaption><\/figure>\n\n\n\n
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Spuren am Strand<\/strong><\/figcaption><\/figure>\n\n\n\n
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Blauwasser-Horror<\/strong><\/figcaption><\/figure>\n\n\n\n
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Das R\u00e4tsel von Kabine 9062<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der „Wild Man“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Bis dass der Tod uns scheidet<\/strong><\/figcaption><\/figure>\n\n\n\n
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Ausflug ins Reich der Toten<\/strong><\/figcaption><\/figure>\n\n\n\n
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Gefangen im Outback<\/strong><\/figcaption><\/figure>\n\n\n\n
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30 Stunden Hoffnung an der t\u00fcrkischen Riviera<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verschwunden auf dem Ocean Boulevard<\/strong><\/figcaption><\/figure>\n\n\n\n
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Letzte „Lebenszeichen“ aus \u00c4gypten<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der „Bikini-Killer“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Auf hoher See<\/strong><\/figcaption><\/figure>\n\n\n\n
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M\u00e4dchenmord am Ballermann<\/strong><\/figcaption><\/figure>\n\n\n\n
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Safari in den Tod<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der letzte Geburtstag<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der Himalaya-Pfad<\/strong><\/figcaption><\/figure>\n\n\n\n
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Koffermord auf Bali<\/strong><\/figcaption><\/figure>\n\n\n\n
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Kreuzfahrt ohne R\u00fcckkehr<\/strong><\/figcaption><\/figure>\n\n\n\n
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Doppelmord auf Koh Tao<\/strong><\/figcaption><\/figure>\n\n\n\n
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Verloren im Dschungel<\/strong><\/figcaption><\/figure>\n\n\n\n
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Feindliche Handlung <\/strong>in Nordkorea<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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In den Tod gef\u00fchrt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Im H\u00f6llenschlund der Gro\u00dfstadt<\/strong><\/em><\/figcaption><\/figure>\n\n\n\n
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(K)ein Unfall, ein Nackter und eine Notiz<\/strong><\/figcaption><\/figure>\n\n\n\n
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Wie M\u00fcll entsorgt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die Liebe, die Hiebe und das Blut<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Tiefer Fall<\/strong><\/figcaption><\/figure>\n\n\n\n
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Kein Ende in Sicht \u2013 „HAVE A NICE DAY<\/strong>„<\/figcaption><\/figure>\n\n\n\n
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Auf der Langstrecke lauert die Gefahr<\/strong><\/figcaption><\/figure>\n\n\n\n
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76 Sekunden<\/strong><\/figcaption><\/figure>\n\n\n\n
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Black Lives Matter. Samuel DuBose<\/strong><\/figcaption><\/figure>\n\n\n\n
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Betrunken durch die Nacht<\/strong><\/figcaption><\/figure>\n\n\n\n
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„Bevor ich sterbe …“<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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W\u00fcstenschreie<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der Trabbi, das Feuer und die Wende<\/strong><\/figcaption><\/figure>\n\n\n\n
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Flausen im Kopf<\/strong><\/figcaption><\/figure>\n\n\n\n
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284 Tage ohne Abby<\/strong><\/figcaption><\/figure>\n\n\n\n
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„Blaulichtbanditen“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Fatale Zufallsbegegnung im Regionalexpress<\/strong><\/figcaption><\/figure>\n\n\n\n
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Lindas letzter Fahrgast<\/strong><\/figcaption><\/figure>\n\n\n\n
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Der Anhalter, das Vertrauen und die Axt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Die Eine, die mit dem Leben davonkam<\/strong><\/figcaption><\/figure>\n\n\n\n
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Gefahr ohne Gesicht<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Angelockt und eingesperrt<\/strong><\/figcaption><\/figure>\n\n\n\n
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Schreckensbilanz<\/strong><\/figcaption><\/figure>\n\n\n\n
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„Dead Head“<\/strong><\/figcaption><\/figure>\n\n\n\n
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Folgenschwere Mitfahrgelegenheit<\/strong><\/figcaption><\/figure>\n\n\n\n
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Mein Vater, der Serienm\u00f6rder<\/strong><\/figcaption><\/figure>\n\n\n\n
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Fatale Verwechslung<\/strong><\/figcaption><\/figure>\n\n\n\n
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Hinter der Fassade<\/strong><\/figcaption><\/figure>\n\n\n\n
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Stille Beobachter<\/strong><\/figcaption><\/figure>\n\n\n\n
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Bluttat im Bus 1170<\/strong><\/figcaption><\/figure>\n\n\n\n
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Lauf um dein Leben<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\n Andrew Peter Dabbs<\/strong>\n <\/figcaption><\/figure>\n\n\n\n
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Omar Alexander Cardenas<\/strong><\/figcaption><\/figure>\n\n\n\n
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Glen Stewart Godwin<\/strong><\/figcaption><\/figure>\n\n\n\n
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Joe Matthew Consatnce<\/strong><\/figcaption><\/figure>\n\n\n\n
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Lawrence Wiliam Fisherman<\/strong><\/figcaption><\/figure>\n\n\n\n
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Thayne Alan Smika<\/strong><\/figcaption><\/figure>\n\n\n\n
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Jorge Rueda Landeros<\/strong><\/figcaption><\/figure>\n\n\n\n
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William Junior Jordan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Charles Lee Hill<\/strong><\/figcaption><\/figure>\n\n\n\n
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Edgardo Luis Perez<\/strong><\/figcaption><\/figure>\n\n\n\n
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Hung Tuen Pham<\/strong><\/figcaption><\/figure>\n\n\n\n
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Stanley Obas<\/strong><\/figcaption><\/figure>\n\n\n\n
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Hazel Leota Head<\/strong><\/figcaption><\/figure>\n\n\n\n
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William Bishop Jr.<\/strong><\/figcaption><\/figure>\n\n\n\n
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Santiago Villalba Mederos<\/strong><\/figcaption><\/figure>\n\n\n\n
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Jose Rodolfo Villarreal<\/strong><\/figcaption><\/figure>\n\n\n\n
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Bhadreshkumar Chetanbhai Patel<\/strong><\/figcaption><\/figure>\n\n\n\n
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Arnoldo Jimenez<\/strong><\/figcaption><\/figure>\n\n\n\n
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Alejandro Rosales Castillo<\/strong><\/figcaption><\/figure>\n\n\n\n
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Eugene Palmer<\/strong><\/figcaption><\/figure>\n\n\n\n
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Alexis Flores<\/strong><\/figcaption><\/figure>\n\n\n\n
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Robert William Fisher<\/strong><\/figcaption><\/figure>\n\n\n\n
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Rafael Caro Quintero<\/strong><\/figcaption><\/figure>\n\n\n\n
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Jason Derek Brown<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n


<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-160","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/pages\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tanjakachler.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":192,"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions"}],"predecessor-version":[{"id":473,"href":"https:\/\/tanjakachler.de\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions\/473"}],"wp:attachment":[{"href":"https:\/\/tanjakachler.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}